
Here is Howard Hughes, the rich crazy man, pacing in his penthouse in Las Vegas. He doesn't know what to do with himself. His efforts at being "creative" were not nothing--he made real Hollywood movies with real Hollywood stars. But that life is behind him now. Mostly he takes prescriptions drugs, eats ice cream and watches "Ice Station Zebra" (reportedly 150 times).
Here is Henry Darger. He is a mentally challenged (no one was sure exactly how) janitor for a church in Chicago. He lived alone in a cheap apartment where he created massive amounts of paintings, drawings and a 1000+ page book about a strange fantasy kingdom involving little girls (some with penises) who were at war with the forces of evil who sometimes captured and tortured them. At the time of his death no one knew he was an artist. Since his death he's become quite famous, his works sell for many thousands of dollars, and he might be the best known name (and biography) of the "outsider" artists (now a subfield with its own network of galleries, collectors and its own convention The Outsider Art Fair in New York, an annual event.)One man has money, time, staff, but he's totally wacko. The other man, arguably wacko though apparently harmless, lived a lonely but intensely creative life, though his creativity was never acknowledged (or really appreciated) in his lifetime.
Why do these two men interest me, or rather, why does putting them side by side interest me?
What if Darger had money (or a sponsor like in the Renaissance)--what would have happened to him? to his art? Would he have been "denounced" for the overtly sexual (borderline perverse) content? How would he have defended his "honor" against such an attack. As a Catholic with a fairly feeble social persona--could this have destroyed him? [What would "destroyed" mean?]
And for Howard. What would it have been like if Howard had been truly creative in this way, letting his 'deomans' out in art? How would the art world have responded to a rich (though nutty) man creative quirky personal work. [I'm picturing him doing something along the lines of Darger.] Would it be taken as evidence of his 'insanity'? Would any effort to show/market such work while he was alive be seen as a foible of the wealthy, like "celebrity painters" with their (quasi-respectable) shows in nifty little West Hollywood galleries? [Did you know Pierce Brosnan and Sylvester Stallone were painters? What about Anthony Quinn, Tony Curtis, Tony Bennett, Anthony Hopkins, and Peter Falk? All painters!
Note: Martin Mull is a pretty darn interesting "low brow" artist. See Carl Hammer gallery.
















